The Bride, Maggie Gyllenhaal
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Jessie Buckley's anguished scream of a performance can't sustain an ambitious feminist opera that feels unintentionally, conspicuously tailor-made to align with Warner Bros.' neighboring DC
Maggie Gyllenhaal’s “The Bride!” imagines an empowered mate for the monster. We look back at other memorable cinematic versions.
Maggie Gyllenhaal says the boss of Warner Bros. forced her to cut out of "The Bride" a scene where Frankenstein licks Vomit off someone's neck.